Famous Dancers and Asteroid Terpsichore

Anna Pavlova, courtesy of www.daykeeperjournal.com

Being an astrology buff, some time ago I found an intriguing article about the asteroid Terpsichore – which I’d never heard of – having prominent placement in the charts of more than several famous dancers. The article, from www.daykeeperjournal.com, is titled “Celestial Musings – Asteroid Terpsichore in the Natal Charts of Famous Dancers”. The author Alex Miller, writes about the charts of the legendary Nijinsky and Pavlova to Gene Kelly, Fred Astaire and into more modern times – mentions Michael Jackson.

Alex describes that Terpsichore “in the birth chart, …can show where we give delight a physical expression, as well as indicating a love of dance and movement if strongly aspected. Graceful, fluid motion can be a hallmark of individuals with Terpsichore prominent, whether channeled into formal dance education or not.”

Here are more highlights from the article:

Terpsichore was one of the Nine Muses, bringers of inspiration in classical Greek mythology. According to Hesiod, the Muses are the offspring of Zeus and Mnemosyne, his Titaness aunt, whose name literally means “memory.” Mnemosyne was one of Zeus’ earliest conquests, predating his marriage to Hera, while he was still sowing his wild oats (though, in truth, Zeus was a lifelong sower!).

After overthrowing her 11 brothers and sisters and setting himself up as head deity of the Olympians, Zeus sought a way to preserve the memory of his accomplishments, keeping them ever green. So he sought out Mnemosyne, whom he wooed in the guise of a shepherd; the couple slept together on nine consecutive nights, and nine months later, the Muses were born, one each on nine consecutive days (divine conception and gestation varying somewhat from that of mortals).

In classic times the Greeks sorted out various areas of special influence among the originally undifferentiated nine sisters. Terpsichore (whose name means “delight in dance”) became the muse of dance and dramatic choral works. She is usually depicted as seated, with a lyre for accompaniment.

Given Muse Terpsichore’s rulership of dance, it’s not surprising to find that her asteroid namesake has an affinity with the astrological charts of famous dancers, from Isadora Duncan to Michael Jackson. Terpsichore in this capacity is often astrologically linked to the Sun, expressing the life force and creative core of the native, how they self-identify; to Venus, ancient ruler of dancers as well as the arts in general and all things of aesthetic sensibility or beauty; to Saturn, the career path and the ability to master skills; or to Neptune, modern ruler of dance, music and theatrical presentation.

Isadora Duncan, Scorpio Terpsichore trine Saturn: Isadora Duncan was considered by many to be the creator of modern dance. Although an American citizen, Duncan received little acclaim in her native country, but was famed throughout fin de siècle Europe, bursting on the Paris scene in 1900 to universal adulation. Duncan rejected the stiff formality of traditional ballet, deriding it as “ugly and against nature,” and developed an improvisational style that created a revolution in dance.

Born 27 May 1877, Isadora Duncan’s natal Terpsichore at 27 Scorpio is astrologically trine natal Saturn at 19 Pisces, identifying dance as pivotal in her career, as well as revealing her role as an educator.

Anna Pavlova, Terpsichore in Libra, trine Sun: Anna Pavlova and Vaslav Nijinsky were two early 20th century dancers who helped to establish Russian ballet as the finest in the world. Pavlova was widely regarded as the best classical ballerina of her day, a protégé of dance mogul Sergei Diaghilev of the Ballet Russe, and star performer of the Imperial Russian Ballet. She later created her own dance company and was the first ballerina to tour the globe. Her most famous performance was the creation of the lead role in “The Dying Swan” in 1905, a ballet based on the music  of Camille Saint-Saens.

Vaslav Nijinsky, Terpsichore in Aries conjunct Venus: Nijinsky was another protege of Diaghilev’s. He is often cited as the greatest male dancer of the 20th century. He frequently performed en pointe, that is, on tip-toe, a rare skill in male dancers, and was noted for his apparently gravity-defying leaps and the intensity of his performances, which may have had something to do with an erratic temperament that was later diagnosed as schizophrenia.

Ginger Rogers and Fred Astaire, Terpsichore in opposing signs:  Born 10 May 1899, Fred Astaire’s natal Terpsichore at 27 Gemini conjoins Neptune at 23 Gemini, opposing Saturn at 22 Sagittarius. Ginger Rogers’ (born 16 July 1911) natal Terpsichore at 5 Sagittarius is sesquiquadrate to a Sun/Neptune conjunction at 23 and 21 Cancer, and squared Venus at 8 Virgo. Although not opposed by astrological degree, Astaire and Rogers’ Terpsichores in opposing signs made them the perfect dance partners, complementing each other’s strengths and compensating for their weaknesses.

Gene Kelly, Terpsichore in Pisces opposed Sun and Venus:  Gene Kelly shares the spotlight with Fred Astaire as one of America’s most prominent male dancers on film. Star of such popular hits as “Anchors Aweigh” (1945), “An American in Paris” (1951) and “Singin’ in the Rain” (1952), Kelly was noted for his athletic, energetic dance style and aggressive good looks.”

The article continues with dancers such as Rudolf Nureyev, Mikhail Baryshnikov, Ann Miller, Twyla Tharpe and more. For you astrology buffs or anyone interested in dance and dance history, I encourage you to read the full article – a most interesting read.

Top 10 Dance Movies

With the popularity of top ten lists these days, that got me to thinking – why not dance movies? In researching this topic, I looked for other top 10 dance movie lists – 10 Dance Movies That Are Actually Worth Your Time and My Favorite Ballet Movies are notable for their picks.

I’ve compiled mine around two themes – that those chosen were (mostly) from popular film genre and that one or more of the actors in each film had classical dance training:

  1. An American in Paris:  my all time favorite with music and lyrics by George and Ira Gershwin, the famous 17 minute “An American in Paris” ballet with sets by Marc Chagall – features Gene Kelly and the film debut of a very young Leslie Caron. Can’t beat this film for the best combination of toe-tapping, sing-a-long music combined with wit, warmth and Oscar Levant (watch for his marvelous “Concerto in F” sequence).
  2. The Red Shoes:  based on the Hans Christian Andersen fairy tale, features Incredible and magical dance sequences starring the superb talents of Moira Shearer, Robert Helpmann and Leonide Massine. A Classic.
  3. Singin’ in the Rain:  seems be at the top or near the top of everyone’s top ten dance movies – yes the famous routine featuring Gene Kelly “singin’ in the rain” is a not-to-be-missed favorite, but watch for his duet with Cyd Charisse in the “Broadway Melody” ballet sequence. With the ever-energetic Debbie Reynolds and smooth moves by Donald O’Connor.
  4. Daddy Longlegs:  another favorite and perhaps more obscure – Leslie Caron shot this a few years after American in Paris. Features wonderful ballet sequences with Fred Astaire and inventive musical scenes with songs and lyrics by Johnny Mercer. Watch for the humorous Thelma Ritter.
  5. Blood Wedding:  a 1981 spanish film by Carlos Saura, featuring Antonio Gades and his company of flamenco dancers, in an adaptation of the Federica Garcia Lorca play.
  6. West Side Story:  the movie version of the legendary musical combines a superb story, choregraphy, dancing, music – starring Rita Moreno, George Chakiris, Natalie Wood, Russ Tamblyn, Richard Beymer. With music and lyrics by Leonard Bernstein and Stephen Sondheim, and the choregraphy of Jerome Robbins.
  7. The Band Wagon:  beautiful Cyd Charisse with Fred Astaire in this 1953 musical comedy.
  8. The Company:  this 2003 Robert Altman film, starring Neve Campbell (who trained at the National Ballet School of Canada before becoming an actress) – features the ups and downs in a year from the life of the Joffrey Ballet of Chicago. Also stars Malcolm McDowell and James Franco.
  9. Dirty Dancing:  the iconic 1980’s dance film, starring dancer and actor Patrick Swayze and Jennifer Grey (daughter of Joel Grey). With it’s blend of nostalgia, romance and “dirty” dancing, the electric chemistry between Swayze and Grey is why I keep coming back.
  10. Billy Elliot:  wonderful UK film featuring a young Jamie Bell in the title role. Nothing beats this for the sheer enjoyment of watching a youngster’s love of ballet win out against all odds in his quest  for acceptance into the Royal Ballet School. Julie Walters plays the ballet teacher who gives him his start.

I leave you with 3 clips from more films (and 1 variety show) that didn’t make my list, yet have great dance sequences in them.

The late great ballerina Maria Tallchief, performing as Anna Pavlova in “The Dying Swan” sequence from the Esther Williams film, Million Dollar Mermaid:

 

Cyd Charisse from Silk Stockings:

 

Gene Kelly and Donald O’Connor – dancing together in a 1959 bit from a Gene Kelly TV special – watch for the grace and timing of this superb duo:

Brainy Quotes, Brainy Dancers

Recently I came across Brainy Quote, a website devoted to famous people and their “brainy” quotes. Looking up famous dancers, here are some of my favorites…

There is a vitality, a life force, an energy, a quickening, that is translated through you into action, and because there is only one of you in all time, this expression is unique.
Martha Graham

Great dancers are not great because of their technique, they are great because of their passion.
Martha Graham

Even though I am a professional, and I know what the steps are, I don’t quite know how I’m going to do them, because I haven’t lived that moment yet. I always feel very insecure and I get very excited.
Suzanne Farrell

I got started dancing because I knew it was one way to meet girls.
Gene Kelly

I danced with passion to spite the music.
Gelsey Kirkland

We were all novices. We really were. We didn’t know a goddamn thing about doing a show.
Jerome Robbins

To dance is to be out of yourself. Larger, more beautiful, more powerful. This is power, it is glory on earth and it is yours for the taking.
Agnes de Mille

The truest expression of a people is in its dances and its music. Bodies never lie.
Agnes de Mille

The universe lies before you on the floor, in the air, in the mysterious bodies of your dancers, in your mind. From this voyage no one returns poor or weary.
Agnes de Mille

God gives talent. Work transforms talent into genius.
Anna Pavlova

The ballet is a purely female thing; it is a woman, a garden of beautiful flowers, and man is the gardener.
George Balanchine

One is born to be a great dancer.
George Balanchine

Great artists are people who find the way to be themselves in their art. Any sort of pretension induces mediocrity in art and life alike.
Margot Fonteyn

My dance classes were open to anybody, my only stipulation was that they had to come to the class every day.
Merce Cunningham

I really reject that kind of comparison that says, Oh, he is the best. This is the second best. There is no such thing.
Mikhail Baryshnikov

The creative process is not controlled by a switch you can simply turn on or off; it’s with you all the time.
Alvin Ailey

The dancer’s body is simply the luminous manifestation of the soul.
Isadora Duncan

A pas de deux is a dialogue of love. How can there be conversation if one partner is dumb?
Rudolf Nureyev

My feet are dogs.
Rudolf Nureyev

Dance every performance as if it were your last.
Erik Bruhn

History of the Pointe Shoe

There are many many brands and varieties of pointe shoes in the marketplace today. Each pair is so markedly different – primarily because the fit of toe shoes has to be so exact, that it needs to fit your feet like a glove – not an easy thing to do when its made of hard materials like leather, plastic, cardstock, burlap and glue. As a dancer, our entire body weight is balanced on that small space created at the end of the pointe shoe – it has to be a very secure fit. And, because every dancer has unique feet, with variations that include toe length and shape, arch flexibility and mechanical strength – most pointe shoe manufacturers produce more than one model of shoe.

Ever wonder how modern-day pointe shoes developed into what they are today?

Here’s a brief history, courtesy of Wikipedia:  When women began to dance in ballet in 1681, twenty years after King Louis XIV of France ordered the founding of the Académie Royale de Danse, the standard women’s ballet shoe had heels. Mid-18th century dancer Marie Camargo of the Paris Opéra Ballet was the first to wear a non-heeled shoe, enabling her to perform leaps that would have been difficult, if not impossible, in the more conventional shoes of the age. After the French Revolution, heels were completely eliminated from standard ballet shoes. These flat-bottomed predecessors of the modern pointe shoe were secured to the feet by ribbons and incorporated pleats under the toes to enable dancers to leap, execute turns, and fully extend their feet.

The first dancers to rise up on their toes did so with the help of an invention by Charles Didelot in 1795. His “flying machine” lifted dancers upward, allowing them to stand on their toes before leaving the ground. This lightness and ethereal quality was well received by audiences and, as a result, choreographers began to look for ways to incorporate more pointework into their pieces.

As dance progressed into the 19th century, the emphasis on technical skill increased, as did the desire to dance en pointe without the aid of wires. When Marie Taglioni first danced La Sylphide en pointe, her shoes were nothing more than modified satin slippers; the soles were made of leather and the sides and toes were darned to help the shoes hold their shapes. Because the shoes of this period offered no support, dancers would pad their toes for comfort and rely on the strength of their feet and ankles for support.

The next substantially different form of pointe shoe appeared in Italy in the late 19th century. Dancers like Pierina Legnani wore shoes with a sturdy, flat platform at the front end of the shoe, rather than the more sharply pointed toe of earlier models. These shoes also included a box—made of layers of fabric—for containing the toes, and a stiffer, stronger sole. They were constructed without nails and the soles were only stiffened at the toes, making them nearly silent.

The birth of the modern pointe shoe is often attributed to the early 20th century Russian ballerina, Anna Pavlova, who was one of the most famous and influential dancers of her time. Pavlova had particularly high, arched insteps, which left her vulnerable to injury when dancing en pointe. She also had slender, tapered feet, resulting in excessive pressure applied to her big toes. To compensate for this, she would insert toughened leather soles into her shoes for extra support and would flatten and harden the toe area to form a box. This made dancing en pointe easier for her, and although it was regarded by her peers as “cheating”… ironically, this practice became the predecessor of the modern pointe shoe we see today.